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True/False
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Multiple Choice
A) Arthur Miller
B) Clive Barnes
C) George II,Duke of Saxe-Meiningen
D) Paul Fort
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A) They are led by the goals of realism taken to an extreme.
B) They are unrestrained by rigid formulas with respect to verisimilitude or realistic behavior.
C) They insist upon a proper education in classicism in order to direct.
D) They apply the ritual and forms of the Catholic church to formal staged drama.
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A) producer
B) director
C) technical stage manager
D) stage manager
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A) mastery of staging,actor-coaching,pacing,and production coordinating.
B) a strong literary imagination and ability to conceptualize intellectually and visually.
C) a capable voice and an athletic physique,both of which comprise the actor's instrument.
D) sound working knowledge of the history of theatre.
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Multiple Choice
A) the director's determination of the most important of the many images,ideas,and emotions that will give the production meaning.
B) the designers' conception of the look and sound of the play from which the director draws ideas in order to shape the meaning of the play.
C) the producer's determination of the selection of a time period that will establish the costuming and staging budgets.
D) the audience's shared imagination that will fill in the blanks that might be left by the director.
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A) audition
B) technical
C) pacing
D) blocking
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A) arranging the financial backing to perform the play
B) arranging for the style of the scenery and props
C) hiring the producer
D) conceptualizing the play and giving it vision and purpose
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A) David Belasco
B) Otto Brahm
C) Paul Fort
D) Christopher Lee
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A) the number of lines or pages in the script
B) the speed of the actor's delivery in "real life"
C) the genre of the play,as with farce needing to be fast
D) whether or not the play is being filmed
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A) earlies.
B) trailers.
C) previews.
D) design-throughs.
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A) the central idea in the writer's mind
B) the point of view of the popular audience
C) the director's central idea that focuses the interpretation
D) the general critical interpretation
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A) Directors attend every performance and have rehearsals each week of a run.
B) Directors do not see any performances of the play,leaving after the final rehearsal.
C) The director may still change aspects of the play during previews or the run,but primarily has given over responsibility to the audience and might feel a twinge of isolation.
D) The artistic involvement ends after casting;the technical involvement ends when the play's run is finished.
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