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Since working with actors is one of the main responsibilities of a director,how would you communicate with them before,during,and after rehearsals? What is your style? Consider time and space availability.Please indicate how you would work with a difficult scene or actor.

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As a director, communication with actors...

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The directing process encompasses the distinct periods of preparation and implementation.

A) True
B) False

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Trace the role/duties of directors as they work with a scene from the beginning of the play to the final production.Which period of the process is the most interesting to you? Why?

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The role and duties of directors in a pl...

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Which of the following was one of the first directors to study the conventions of realism in an attempt to make their play productions even more lifelike?


A) Arthur Miller
B) Clive Barnes
C) George II,Duke of Saxe-Meiningen
D) Paul Fort

E) B) and D)
F) B) and C)

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Which of the following is true of directors of antirealism?


A) They are led by the goals of realism taken to an extreme.
B) They are unrestrained by rigid formulas with respect to verisimilitude or realistic behavior.
C) They insist upon a proper education in classicism in order to direct.
D) They apply the ritual and forms of the Catholic church to formal staged drama.

E) A) and B)
F) None of the above

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Which person is responsible for the financial support of the production and,working closely with the director,also contributes to many "directorial" decisions in the production process?


A) producer
B) director
C) technical stage manager
D) stage manager

E) None of the above
F) B) and C)

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A great directorial concept has the qualities of being generalized,well-established by tradition,intellectually relaxing,and readily apparent without much imagination.

A) True
B) False

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Imagine that you are a director planning a production,and you have to decide on a play to produce.Pick a play you would like to direct and explain 1)why you chose that play (considering your own taste and a potential audience)and 2)the core concept that you would use to organize the production.How would that concept make itself felt through stage design,costuming,and casting? Use metaphors!

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I would choose to direct the play "A Mid...

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As a response against Stanislavsky's realism,the director Vsevolod Meyerhold evolved a theatre of "biomechanical constructivism" in Moscow.

A) True
B) False

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The role of teacher-director reached its historical pinnacle of influence,albeit anonymously,during the Renaissance and early Restoration periods.

A) True
B) False

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A director should possess all of the following EXCEPT


A) mastery of staging,actor-coaching,pacing,and production coordinating.
B) a strong literary imagination and ability to conceptualize intellectually and visually.
C) a capable voice and an athletic physique,both of which comprise the actor's instrument.
D) sound working knowledge of the history of theatre.

E) All of the above
F) A) and B)

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The director's work with the designers is generally suggestive and corrective,rather than overtly controlling.

A) True
B) False

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The "core concept" is


A) the director's determination of the most important of the many images,ideas,and emotions that will give the production meaning.
B) the designers' conception of the look and sound of the play from which the director draws ideas in order to shape the meaning of the play.
C) the producer's determination of the selection of a time period that will establish the costuming and staging budgets.
D) the audience's shared imagination that will fill in the blanks that might be left by the director.

E) A) and D)
F) None of the above

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Which type of rehearsal occurs near the end of the rehearsal process,as the play comes closer to production time but before the actors apply makeup?


A) audition
B) technical
C) pacing
D) blocking

E) All of the above
F) A) and C)

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Which of the following tasks belong to the director?


A) arranging the financial backing to perform the play
B) arranging for the style of the scenery and props
C) hiring the producer
D) conceptualizing the play and giving it vision and purpose

E) B) and D)
F) None of the above

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Which of the following directors founded the Théâtre d'Art in Paris in 1890 as a direct assault upon the realist principles espoused by André Antoine?


A) David Belasco
B) Otto Brahm
C) Paul Fort
D) Christopher Lee

E) C) and D)
F) B) and D)

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What is one factor that can determine the pace of a play?


A) the number of lines or pages in the script
B) the speed of the actor's delivery in "real life"
C) the genre of the play,as with farce needing to be fast
D) whether or not the play is being filmed

E) B) and D)
F) A) and B)

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The initial shows where a director can evaluate the production in terms of audience response and institute new changes are known as


A) earlies.
B) trailers.
C) previews.
D) design-throughs.

E) C) and D)
F) None of the above

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What is meant by the "concept" of a play?


A) the central idea in the writer's mind
B) the point of view of the popular audience
C) the director's central idea that focuses the interpretation
D) the general critical interpretation

E) A) and D)
F) A) and C)

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Which statement best describes the end of the director's involvement with the play?


A) Directors attend every performance and have rehearsals each week of a run.
B) Directors do not see any performances of the play,leaving after the final rehearsal.
C) The director may still change aspects of the play during previews or the run,but primarily has given over responsibility to the audience and might feel a twinge of isolation.
D) The artistic involvement ends after casting;the technical involvement ends when the play's run is finished.

E) A) and C)
F) None of the above

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